Gayer than a treeful of monkeys on nitrous oxide

ladoddsy:

streetlightarson:

perfectperfidy:

boxlunches:


The Iron Throne as described in the novels, officially endorsed by GRRM on his blog as the most accurate artistic representation thus far. By artist Marc Simonetti.

Oh

What the fuck that isn’t safe

No, it’s not. The histories talk about how the throne is cruel to unworthy kings. Jaime would talk about how Aerys Targaryen would constantly be covered in scabs from sitting on the throne carelessly. 

'No man should sit comfortably upon the throne'
It is meant to be an ugly, monstrous beauty. And several times during the books Joffrey cuts himself on throne.

ladoddsy:

streetlightarson:

perfectperfidy:

boxlunches:

The Iron Throne as described in the novels, officially endorsed by GRRM on his blog as the most accurate artistic representation thus far. By artist Marc Simonetti.

Oh

What the fuck that isn’t safe

No, it’s not. The histories talk about how the throne is cruel to unworthy kings. Jaime would talk about how Aerys Targaryen would constantly be covered in scabs from sitting on the throne carelessly. 

'No man should sit comfortably upon the throne'

It is meant to be an ugly, monstrous beauty. And several times during the books Joffrey cuts himself on throne.

(Source: jinx-effect, via claudiaboleyn)

40514294s:


It is hard to find New York’s Richardson Spite House in this photo of Lexington Avenue and 43rd Street, because it looks like a facade on the building at left that almost, but not quite, rises to roof level. Here’s the story behind this fantastic achievement in grudge-settling: In the late 1800s, a clothier wished to erect apartments on a parcel extending almost all the way to Lexington Avenue. But blocking his chances of abutting the avenue was a narrow strip of land, 104 feet long but only 5 feet wide, owned by reputed miser Joseph Richardson.
The men haggled but couldn’t agree on Richardson’s asking price of $5,000, so the clothier built his apartments anyway, leaving the narrow strip untouched. Richardson responded by drafting plans for a 5-foot-wide tenement house that would brick up all of the neighboring apartments’ windows. "Not only will I build the houses, but I will live in one of them and I shall rent to other tenants as well," he’s reputed to have said, presumably chuckling and sipping from a boiling glass of bile.

via A Brief History of Houses Built Out Of Spite, the thing that has made me most joyous on this day

40514294s:

It is hard to find New York’s Richardson Spite House in this photo of Lexington Avenue and 43rd Street, because it looks like a facade on the building at left that almost, but not quite, rises to roof level. Here’s the story behind this fantastic achievement in grudge-settling: In the late 1800s, a clothier wished to erect apartments on a parcel extending almost all the way to Lexington Avenue. But blocking his chances of abutting the avenue was a narrow strip of land, 104 feet long but only 5 feet wide, owned by reputed miser Joseph Richardson.

The men haggled but couldn’t agree on Richardson’s asking price of $5,000, so the clothier built his apartments anyway, leaving the narrow strip untouched. Richardson responded by drafting plans for a 5-foot-wide tenement house that would brick up all of the neighboring apartments’ windows. "Not only will I build the houses, but I will live in one of them and I shall rent to other tenants as well," he’s reputed to have said, presumably chuckling and sipping from a boiling glass of bile.

via A Brief History of Houses Built Out Of Spite, the thing that has made me most joyous on this day

(via hellotailor)

referenceplate:

pupukachoo:

froggy-horntail:

pantheonbooks:

duamuteffe:

illesigns:

Pixars 22 Rules of Story Telling

9 is worth the price of admission, holy crap.

This is genius. So many great writing tips!

And this is why Pixar is a master in their field.

Why do I feel so weird reblogging this… this is the weekend dammit!  Anyway, great advice.

This is something I definitely needed to hear right about now. Makes me want to storyboard!

referenceplate:

pupukachoo:

froggy-horntail:

pantheonbooks:

duamuteffe:

illesigns:

Pixars 22 Rules of Story Telling

9 is worth the price of admission, holy crap.

This is genius. So many great writing tips!

And this is why Pixar is a master in their field.

Why do I feel so weird reblogging this… this is the weekend dammit!  Anyway, great advice.

This is something I definitely needed to hear right about now. Makes me want to storyboard!

(via jane-potter)

probably how the circle of magi was created

  • some king: you have ten seconds to think of a way of containment that's never been used before
  • templar: we lock all the mages in a tower and don't let them out ever and if they do get loose we send our team of brainwashed drug addicts to kill them
  • mage: what the fuck
  • templar: op gave me ten seconds
bellechere:

comicsalliance:

AVENGERS NOW: A BLACK CAPTAIN AMERICA, A FEMALE THOR, A SUPERIOR IRON MAN, AND WHAT IT MEANS FOR MARVEL AND DIVERSITY
By Andrew Wheeler
On Tuesday morning Whoopi Goldberg and the hosts of The View announced that Marvel will relaunch Thor this October with a female ‘worthy’ brandishing the hammer. Marvel followed that announcement with another high profile switcheroo on Wednesday night as Entertainment Weekly revealed a new-ish and possibly superior Iron Man, and comedian Stephen Colbert joined Marvel Chief Creative Officer Joe Quesada to announce on The Colbert Report that a new guy is also going to take up Captain America’s shield.
That in itself isn’t much of a surprise — original Cap Steve Rogers has passed on his mantle a few times before before yanking it back. After spending some time in Dimension Z and whatnot, he’s now too old to Avenge from the front lines. The big reveal is that the new Captain America will be Sam Wilson, the African-American superhero currently known as Falcon.
It’s not hard to guess at Marvel’s intentions here. By announcing a female Thor and a black Captain America as a swift one-two punch, the publisher accomplishes two things. First, it shakes up its universe in a way that’s sure to garner attention — as indeed it has. Second, it makes a mission statement.
To the first point; the whole world knows Marvel’s Avengers characters now. That could be a millstone around the publisher’s neck if Marvel put the need to reflect the movies ahead of a need to tell its own stories. Marvel has certainly tried to configure Avengers comics around the on-screen characters, but to no particular success with respect to sales (certainly nothing to indicate that the Avengers are the most popular movie characters in America).
Replacing at least two of its Avengers big three — Thor, Captain America, and Iron Man — suggests Marvel’s commitment to telling its own stories, albeit in a grandstanding, headline-grabbing way. A woman taking the name and role of a male Norse god? A black man representing all of America? These are moves that upset the right people, and that guarantees attention.
Which leads in to the second point. These changes suggest an agenda. I’d call it progressive agenda, but it’s not. Putting women and people of color in key positions isn’t progressive, it’s just evidence that superhero comics are slowly catching up to the present day. It just happens that there’s a strong regressive agenda in our culture that’s resistant to that kind of change.
Marvel’s only motive here may be to stir up controversy and hope it translates to sales, but I think there’s enough evidence in the publisher’s support for books like Ms. Marvel, Captain Marvel, and Mighty Avengers, that the publisher is sincere in its efforts to reach out to audiences that traditionally haven’t been well-served by superhero comics. There’s always more work to be done, but Marvel’s output feels more inclusive with every passing quarter.
READ MUCH MORE

"Putting women and people of color in key positions isn’t progressive, it’s just evidence that superhero comics are slowly catching up to the present day."
This article nails so much of what I’ve been trying to impress on people. It makes me outright happy that a company I love and value is taking these motions, listening to their fans, and balancing the representation.
Make Mine Marvel

bellechere:

comicsalliance:

AVENGERS NOW: A BLACK CAPTAIN AMERICA, A FEMALE THOR, A SUPERIOR IRON MAN, AND WHAT IT MEANS FOR MARVEL AND DIVERSITY

By Andrew Wheeler

On Tuesday morning Whoopi Goldberg and the hosts of The View announced that Marvel will relaunch Thor this October with a female ‘worthy’ brandishing the hammer. Marvel followed that announcement with another high profile switcheroo on Wednesday night as Entertainment Weekly revealed a new-ish and possibly superior Iron Man, and comedian Stephen Colbert joined Marvel Chief Creative Officer Joe Quesada to announce on The Colbert Report that a new guy is also going to take up Captain America’s shield.

That in itself isn’t much of a surprise — original Cap Steve Rogers has passed on his mantle a few times before before yanking it back. After spending some time in Dimension Z and whatnot, he’s now too old to Avenge from the front lines. The big reveal is that the new Captain America will be Sam Wilson, the African-American superhero currently known as Falcon.

It’s not hard to guess at Marvel’s intentions here. By announcing a female Thor and a black Captain America as a swift one-two punch, the publisher accomplishes two things. First, it shakes up its universe in a way that’s sure to garner attention — as indeed it has. Second, it makes a mission statement.

To the first point; the whole world knows Marvel’s Avengers characters now. That could be a millstone around the publisher’s neck if Marvel put the need to reflect the movies ahead of a need to tell its own stories. Marvel has certainly tried to configure Avengers comics around the on-screen characters, but to no particular success with respect to sales (certainly nothing to indicate that the Avengers are the most popular movie characters in America).

Replacing at least two of its Avengers big three — Thor, Captain America, and Iron Man — suggests Marvel’s commitment to telling its own stories, albeit in a grandstanding, headline-grabbing way. A woman taking the name and role of a male Norse god? A black man representing all of America? These are moves that upset the right people, and that guarantees attention.

Which leads in to the second point. These changes suggest an agenda. I’d call it progressive agenda, but it’s not. Putting women and people of color in key positions isn’t progressive, it’s just evidence that superhero comics are slowly catching up to the present day. It just happens that there’s a strong regressive agenda in our culture that’s resistant to that kind of change.

Marvel’s only motive here may be to stir up controversy and hope it translates to sales, but I think there’s enough evidence in the publisher’s support for books like Ms. MarvelCaptain Marvel, and Mighty Avengers, that the publisher is sincere in its efforts to reach out to audiences that traditionally haven’t been well-served by superhero comics. There’s always more work to be done, but Marvel’s output feels more inclusive with every passing quarter.

READ MUCH MORE

"Putting women and people of color in key positions isn’t progressive, it’s just evidence that superhero comics are slowly catching up to the present day."

This article nails so much of what I’ve been trying to impress on people. It makes me outright happy that a company I love and value is taking these motions, listening to their fans, and balancing the representation.

Make Mine Marvel

(via jane-potter)

quadralaticpolygamist:

theultraintrovert:

yarrahs-life:

frantzfandom:

convolutednormality:

geniuzoneee:

Adapt to this

LET ME JUST POINT OUT THE VARIOUS FLAWS OF LOGIC HERE. FIRST OF ALL DARWINS POWER IS TO LITERALLY ADAPT TO ANYTHING IN THE EFFING UNIVERSE. HIS POWERS DEEMED IT TOO DANGEROUS TO FIGHT THE HULK AND TELEPORTED HIM TO ANOTHER COUNTRY. HE ONCE BECAME PURE COSMIC EFFING ENERGY AND SHORTLY AFTER REMATERIALIZED AS A HUMAN BEING TO PREVENT HIS DEATH. DARWIN IS LITERALLY INEFFINGVINCIBLE. AND YOU MEAN TO TELL ME THAT A PATHETIC BALL OF KINETIC ENERGY FROM SEBASTIAN SHAW MERKS HIM?!?!?! THEY OBVIOUSLY ARE OUT TO KILL THE BLACK MAN IN THE PLOT AND LITERALLY WROTE THIS SCENE WITH NO REGARDS TO DARWINS POWERS WHATSOEVER AND ITS FRUSTRATING THAT THEY WOULD GO OUT OF THEIR WAY TO KILL HIM OFF LIKE THAT

I’m saying. Even in sci fi we ain’t safe

in my headcanon darwin literally became a being of energy and ascended to another plain of existence so he doesn’t have to deal with anymore of this white nonsense

Even in Scifi? We not safe in real life.

thank you I’ve been saying this for the longest!!!!! He is a damn omega level mutant, meaning in the movie he would be a class 5! Dude even adapted into a God and became the God of Death! Dude was college educated in the comics and they made him a taxi driver…like Black folks weren’t educated in the 70’s. And they didn’t even acknowledge that he was an Afro Latino…his name is Armando Munoz, he’s one of the few Afro latino superheros and they did him so dirty.

A movie that’s a metaphor for prejudice/racism/etc did the black guy dirty.

The death of Armando is something that would quake the Marvel universe.  It would disestablish the fabric of what they know.  Every single Watcher in the Multiverse would converge to witness what can kill Armando.  A measly, tiny, insignificant podunk Hellfire member can’t do shit to Pheonix let alone Darwin.  Onslaught theoretically couldn’t kill Darwin.  Thanos  theoretically couldn’t kill Darwin with the Infinity Gauntlet.  You’re trying to tell me SABASTIAN SHAW has that kind of power?  Darwin would just turn into Vibranium, and he’d spit that shit right back out like it was NOTHING.

(Source: marvelmovies, via jane-potter)